Mela at 25: Why Aamir Khan Took a Risk for His Brother
On January 7, Mela completes 25 years — a film that stands out in Aamir Khan’s filmography precisely because it seems out of character for the famously selective star. Aamir has admitted he did the much-criticised Mela solely to launch his younger brother, Faisal Khan.
Doing it for family
Known for being extremely picky about the films he associates with, Aamir has said that his decision to sign Mela was personal. “Kya karein?” Aamir sighs. “That is my destiny. You can fight the world, but how can you fight your own family?” The film was intended as a stepping stone for Faisal, even though the result drew heavy criticism.
The film — a loud Sholay-inspired outing
Mela was a loud, boorish adaptation of Sholay. Aamir played a comic-book version of Dharmendra, while Faisal took on a tight-fisted, clenched-jaw riff on Amitabh Bachchan’s iconic role. The tone and casting choices left critics and audiences divided, and the film failed to click at the box office.
Box-office failure and honest reflections
Despite the failure, Aamir insists he has no lingering regrets about doing the film for his brother. He acknowledges the disappointment, both personal and professional:
“I was obviously disappointed by its failure to achieve its potential. Beyond that, I think it’s tough to answer your question. First of all, let me tell you, every film I do means a lot to me. The failure of Mela definitely made a difference to me. It was hard on Faisal, but it was hard on me as well. I’m not comfortable with the idea of any of my films not realising their full potential. The entire team had worked very hard. We were all disappointed.”
Family fallout
Ironically, the professional gesture that launched Faisal into the spotlight did not lead to a lasting bond. In the years since, Faisal has made serious accusations against Aamir, including claims of illegal confinement and career sabotage. Aamir’s response — the short, weary acceptance quoted above — underscores the complicated mix of loyalty and helplessness that can come with family disputes.
Where Mela fits in now
Mela remains a curious chapter in both brothers’ careers: a well-intentioned gamble that didn’t pay off, and a reminder that personal choices in cinema can carry consequences beyond the screen. Twenty-five years on, the film is remembered more for its backstory and the family drama around it than for its box-office numbers.